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- Who do you think won this iPhone 11 Pro Max vs Galaxy S20 Ultra drop test? - Android Central
- The Ars 13: Our top indie game picks from PAX East 2020 - Ars Technica
- Top Stories: 14-Inch MacBook Pro, iMac and Mac Mini Refreshes, and New AirPods on Horizon? - MacRumors
| Who do you think won this iPhone 11 Pro Max vs Galaxy S20 Ultra drop test? - Android Central Posted: 07 Mar 2020 02:26 AM PST  A new drop test pitting the iPhone 11 Pro Max against the Galaxy S20 Ultra has surfaced, and we want to know what you think. The guys over at PhoneBuff dropped both phones from a couple of different heights multiple times to find out which was more durable. First up, they dropped both phones onto their back. As you can imagine, the iPhone's glass back did not hold up well, shattering in this phase of the testing. Conversely, the Galaxy S20 came up basically unmarked. Next, both phones were dropped onto their corner. The iPhone took a narrow victory here, but both phones performed well. Finally, the phones were dropped onto their front. Both phone's screens cracked, the iPhone considerably more, however, both continued to function. As a result, PhoneBuff awarded the Galaxy S20 the victory as a result. The prize? They absolutely obliterated it in a further round of bonus testing. As both phones survived the three initial tests, PhoneBuff went ahead and dropped both of them onto their front from a greater height of 1.5 meters ten times. As you'll see from the video, the Galaxy S20 Ultra did not fair well, and by the end of it was damaged beyond use. Interestingly enough, the iPhone, which underperformed in initial testing, actually did a lot better later on, only the rear camera of the phone stopped working completely. So why not take a look below and let us know which phone you think is more durable? |
| The Ars 13: Our top indie game picks from PAX East 2020 - Ars Technica Posted: 07 Mar 2020 06:00 AM PST 
I've been writing about games long enough to remember when the concept of an "indie game" was new and odd. It seems like just yesterday that getting a game to market without the help of a major publisher or console maker was so rare as to border on impossible. Today, though, increased access to digital distribution, easy-to-learn game development tools, and cheap game development hardware has produced thousands upon thousands of independent game developers, all fighting for a small portion of gamers' limited attention spans. Nowhere is that battle more apparent than at PAX East, where the crowded Boston Convention Center floor is packed to the gills with hundreds of indie game booths that range from single-person development teams to mini-conglomerate indie publishers like Devolver Digital, Tiny Build, and Annapurna Interactive.Playing every indie game at a modern PAX East would take multiple weeks; a four-day show just doesn't offer enough time to take it all in. But we did our best, sampling from a wide variety of the most interesting indie prospects. Here, in alphabetical order, are 13 indie games that stood out from the PAX East crowd. Ambition: A Minuet in PowerDeveloper: Joy Manufacturing Co. Visual novels are like video game comfort food. They're a great way to unwind and unplug, and they let you focus on narrative and dialogue as opposed to more complicated mechanics. Ambition: A Minuet in Power allowed me to escape the noisy, crowded PAX East show floor and enter a world of intrigue, scandal, fashion, and romance set against the French revolution. Developer Joy Manufacturing Co. describes Ambition as a "rogue-lite" visual novel, meaning that it shares some of the features of roguelikes without complicated trial-and-error mechanics or combat. As a young woman who finds herself alone in Paris, you must navigate a world where gossip is currency, your outfits say everything about you, and every social event could have devastating consequences. It's a lovely escape with beautiful artwork, and because your choices determine where the story goes, it's a little different every time you play it. I'll happily go back to Paris when it launches on PC later this year. The Dungeon of NaheulbeukDeveloper: Artefacts Studio Let's face it: role-playing games are built on tropes. The mechanics change, the graphics get better, but traditional RPGs typically still feature a group of mages, warriors, and archers fighting evil in a fantasy setting. Dungeons of Naheulbeuk relentlessly mocks these RPG tropes through humorous dialogue and a line-up of clumsy heroes better suited for getting drunk at the local pub than saving the day. As a longtime fan of RPGs, I couldn't help but laugh at the way The Dungeon of Naheulbeuk pokes fun at the genre. But Naheulbeuk is more than just a vessel for comedy; there's a beautifully crafted, surprisingly deep game underneath the humor. The tactics-based combat system requires players to be aware of not just individual attacks but of the environment and positioning of each character as well. Actress Felicia Day, who voices a "snarky" red-haired wizard, praised the game's "really sharp, really funny" writing. Based on what I've seen, I'd have to agree. Fall GuysDeveloper: Mediatonic Battle royale games are all the rage these days, but not everyone digs high-pressure shooters like Fortnite and Apex Legends. So the brilliant minds at Mediatonic had an idea: what if we did battle royale, but as a party game? The result is Fall Guys, a blindingly bright, absurdly silly 100-player match-up of mini-games and pure chaos. Think Mario Party meets Ellen's Game of Games. Every round consists of a shorter game lasting just a few minutes, after which about a third of players are eliminated. These rounds might have games like collecting eggs, trying to pull tails off of other players, or obstacle-filled races; they all have simple mechanics that make it easy to join in. Fall Guys is sheer fun. It was up on the big screen at Devolver's booth, so those in line could cheer on players. During my own session, where I made it to the final round before losing the crown, I found myself fist-pumping, shouting, and ultimately wanting more. It's due out for PC and PS4 later this year, though it feels like there's a missed opportunity for a perfect-fit Nintendo Switch release. Regardless of platform, it's a great way to bring players together for an experience that's unapologetically silly and a ton of fun. Help Will Come TomorrowDeveloper: Arclight Creations Russia, 1917. The Russian Revolution is in full swing, and an attack on the Trans-Siberian Railroad has left a group of its passengers stranded in the snowy wilderness. This is Help Will Come Tomorrow, a Polish indie game that mixes survival elements with interpersonal relationships against a historical backdrop. In Help Will Come Tomorrow, you're in charge of managing the survivors' time in the wilderness while having no idea when help will actually come. That means doling out what meager food is available, assigning work duties, building shelter and tools, and making sure everyone is relatively healthy, which isn't easy when you're surviving on beans, moss, and questionable mushrooms. During all of this, you'll manage interpersonal relationships, keeping in mind that certain groups, like aristocrats, don't get along with others (they're also not fond of hard work, another aspect to keep in mind). I wish I'd had more time with this game, and I'll get a chance soon: publisher Klabatar is planning for a late April release, and there's currently a live Kickstarter campaign to get it through the home stretch. IronlightsDeveloper: E McNeill For all the imagined coolness of lightsaber duels in VR, the concept is pretty hard to get right in practice. For starters, the lack of physical obstructions means your cutting motion will slice right through the opponent's virtual guard like it's slicing through air… because, in reality, it is. Ironlights solves this problem with a few interesting design choices that make its two-player sword duels actually work. For one, the game uses a recharging energy system to ensure that only one player can be on "offense" at a time, while the other uses their own weapon just to block. For another, the energy-based weapons in the attacker's hand disintegrate into particles when blocked, requiring the attacker to grab behind their back for a new blade. And all the action is slowed down significantly from your real time movements, giving the defending player the opportunity to react while limiting the power of an attacker who is simply flailing about as quickly as possible. The result is the best translation into virtual reality of the basic two-player risk/reward fighting game structure that I've yet seen. The nearly complete demo I played on a wireless Oculus Quest showed off a variety of different weapon types, from a spinnable bo staff to a swinging mace and chain, all with their various pros and cons. We can't wait to see the techniques and metagaming that develops when online VR competitors finally get their hands on this one in wide release. ManeaterDeveloper: Blindside Interactive If you took Discovery's Shark Week and turned it into a completely over-the-top video game, you couldn't do much better than Maneater. This open world shark simulation leans hard into its reality TV premise, complete with larger-than-life good ol' boy shark hunter antagonists and a nature documentary narrator that explains basic aquatic life facts as you rip and tear through the water. The game's core appeal is the sheer catharsis of sharky carnage, whether it's shaking a wriggling fish between your mighty jaws or leaping out of the water and flailing about to destroy a ship full of shark hunters. But much like the ocean, Maneater has hidden depths that can only be unlocked as you complete open-water quests and level up with new abilities needed to take on threats both in and out of the water. It's hard to tell from a limited PAX demo whether the game's core loops and expansion system will sustain it for multiple hours. But the sheer joy of controlling of one of nature's most remorseless killers is strong enough here to pique our interest. MaquetteDeveloper: Graceful Decay There's a moment early on in the Maquette demo where you pick up an innocent-looking small red cube and see and hear a much larger, identical red cube rise into the air in the distance, mimicking the smaller cube's movements in your hands. The concept instantly clicks -- anything you manipulate in the small maquette model in the center of your world also has a super-sized effect on the wider, ornate domed environment around you. Using this newfound power, you unlock new portions of a literal memory palace that slowly fills in with sketchbook remembrances of a past romantic relationship, haunted by the specter of its own inevitable decay. Well-written dialogue snippets in the demo mix with well-timed musical drops to produce some real emotion from a simple "boy meets girl" tale. While the positional platforming puzzles start off rather simple, you're quickly required to master new ideas of how size and perspective interact in the echoing world-within-a-world. The short PAX East demo only hints at an even wider world outside the initial domed enclosure, where your larger environment acts as its own recursive maquette for an even greater adventure. After spending a bit of time in this elegantly constructed puzzle box of a world, we can't wait to see where it goes. MetamorphosisDeveloper: Ovid Works Show of hands—how many of you read Franz Kafka's The Metamorphosis in high school and thought this novella about a man waking up as a bug and being rejected by his family and society would make a great video game? No hands? Well, for whatever reason, developer Ovid Works decided it would make a great title and the result is a surreal first-person puzzle game coming to PC later this year. The video game Metamorphosis starts like the classic story. As Gregor Samsa, find yourself in a familiar place, but something's not quite right. The furniture is too big—or are you too small? After the first series of puzzles that has you venturing through a relatively normal house, Metamorphosis veers away from the original story and gets weird. Yes, even weirder than a man waking up as a bug. The puzzles and platforming are challenging and satisfying, and I ended my demo session wanting to know where Gregor's story goes. Hopefully it won't end as depressingly as Kafka's original work. Paper BeastDeveloper: Pixel Reef The titular, origami-inspired beasts in this upcoming adventure from Eric Chahi (Out of This World) are pleasant enough to look at in static, flat screenshots. But you have to see them in motion, up-close-and-personal in virtual reality, to really get a sense for what makes this game special. While the beasts themselves are designed by hand, every animation in Paper Beast is procedurally generated based on the animal's structure, status, and locomotive needs. The result is something like those Boston Dynamics videos, where lifelike movements and reactions to everyday stimuli make lifeless materials operate with an uncanny realism. At PAX, we sampled a short "narrative" section that followed one massive, lumbering beast through a variety of natural hazards both big and small, telling a melancholy tale of slow decay without any dialogue. But it was the sandbox mode that provided the more appealing opportunity to play god, crafting structures of water, ice, and sand for the various beasts to exist in. It's a bit like playing with a virtual reality ant farm, only with fantastical creatures that are a lot more interesting than real-world insects could hope to be. The Red LanternDeveloper: Timberline Studio Video games are only beginning to truly experiment with how randomness and rogue-like procedural generation can add a touch of happenstance to their narrative, not just to their gameplay. The Red Lantern showcases one way in which chance can lead to a new type of storytelling. You take control of a young girl trying to escape her past in the great frozen wilderness of Alaska, riding a sled behind a team of dogs in an attempt to take part in the famous Iditarod race. Past that, though, the specifics of the narrative will change each time you make the arduous journey. When you stumble upon a seemingly abandoned cabin, for instance, you might find a stash of vital food. Or maybe you'll find the a shell of a house ruined by a long-past storm. Or maybe a horde of angry raccoons will force you to use one of your limited medical kits. Or you could ignore the cabin altogether and save your strength for something more important down the snowy road. Through it all, Ashly Burch's emotive performance drives the narrative forward through a vocalized inner monologue. After repetition and failure, you'll eventually learn which risks are worth avoiding and which rewards are valuable enough to justify those risks. The development team plans over 100 different types of interactions in the final game, each with multiple different scenarios, ensuring there will be new twists and turns to keep things interesting until, older and wiser, you're finally able to achieve your goal. She Dreams ElsewhereDeveloper: Studio Zevere Ever have a nightmare that seems to go on forever? She Dreams Elsewhere is an ambitious game from Studio Zevere's sole employee, Davionne Gooden, which perfectly captures the feeling of being stuck in a surreal dream world. After waking up in her own bed with a bit of a hangover, Thalia goes on a search for her missing dog and ends up in a strange, winding dungeon. The exploration and combat would feel right at home in an old-school RPG, but the vibe, artwork, and narrative focus are entirely new. The pixelated art style and humorous, casual dialogue give She Dreams Elsewhere a definite Earthbound vibe, but there's also a bit of Persona surreal-ness in there too. It's sharp, witty, and often funny, with classic turn-based battles that give the game's artwork a chance to shine. Going from the largely black-and-white aesthetic of the overworld to boldly colored backgrounds and hand-scrawled characters on battle screens only ups the dreamlike weirdness. She Dreams Elsewhere's "mental mindscape" stayed with me long after I'd left the Indie Megabooth, and it's one of my favorite games from the PAX show floor, period. It's due out for PC and Xbox One later this year. Oh, and you can pet the dog. Shovel Knight Pocket DungeonDeveloper: Vine / Yacht Club Games Take the musical grid-based adventuring of Crypt of the Necrodancer. Combine it with a color-matching puzzle game like Puyo Puyo. The result would be something like Shovel Knight Pocket Dungeon, an instantly accessible and hard to put down action-puzzle game. Bumping up against one of the enemies in Pocket Dungeon's grid doesn't just attack that enemy, but also every enemy of the same type attached to it in an unbroken line. The same is true of health pickups and items, all of which fall in from the top of the screen with each step, like you're living in a medieval-themed version of Tetris. You have to plan your movements carefully to maximize your impact while minimizing the risk from enemy counterattacks. Or, you can take a risk and let the enemies fill up the screen in the hopes of unleashing a massive chain attack for even greater rewards. As you go, treasure chests and item shops open up new abilities and powers, like the ability to shoot line-clearing projectiles or stop time briefly. These come in handy for powerful, fast-moving boss encounters. Add in a driving soundtrack to push the whole thing along, and you have an instantly addictive experience that I wanted to keep playing long after my PAX demo time was up. Welcome to ElkDeveloper: Triple Topping You'd be forgiven if you spotted Welcome to Elk on the PAX East show floor and mistook its subject matter for something light-hearted. The graphics are cartoony, and the Welcome to Elk is filled with silly mini-games that might task you with singing a song or pouring a beer. Yet the game's bright vignettes all hide darker stories behind them—true stories of real-life tragedies brought to life in unexpected ways. The juxtaposition of Welcome to Elk's gameplay with a video recording of a man telling the true story about another man murdered in front of his wife and child is chilling; I haven't stopped thinking about it since. Sometimes, in the face of unimaginable tragedy, the only thing you can do is laugh, and Welcome to Elk absolutely nails this absurd feeling. It's not a feel-good game, but it has important stories to tell, and I've never seen anything like it. |
| Posted: 07 Mar 2020 06:02 AM PST Rumors about upcoming Apple products are increasing as we head into March, even as the COVID-19 coronavirus continues to cause uncertainty about the timing. An entry-level "iPhone SE 2" or "iPhone 9" is widely expected in the near future, and it looks like iPad Pro, iMac, and Mac mini updates may also be coming. Looking out a bit further, noted analyst Ming-Chi Kuo shared his thoughts on products coming through the end of 2021 that will use Mini-LED display technology, including a 14.1-inch MacBook Pro. Check out our video above and our list below for more details on this week's biggest news. Apple Working on 'Six' Mini-LED Products Including New 14.1-Inch MacBook Pro and Refreshed iMac ProApple is developing six products with Mini-LED displays for release by the end of 2021, including new 12.9-inch iPad Pro, 10.2-inch iPad, 7.9-inch iPad mini, 27-inch iMac Pro, 14-inch MacBook Pro, and 16-inch MacBook Pro models, according to analyst Ming-Chi Kuo.
Taiwanese publication DigiTimes echoed this information, reporting that Apple plans to launch a new 12.9-inch iPad Pro and multiple MacBook models with Mini-LED backlit displays by the end of 2020. Taiwanese LED manufacturer Epistar is expected to be one of Apple's key suppliers. Previously Reliable Leaker CoinX Suggests New iMac and Mac Mini Models Are Coming SoonNew models of the iMac and Mac mini are coming soon, according to the anonymous Twitter account CoinX, which has a proven track record.
March is a common month for Apple product refreshes, so the updated iMac and Mac mini models could be announced at any time. New 'Entry-Level' AirPods Pro Expected to Enter Production by Early Second QuarterApple's suppliers will commence production of new "entry-level" AirPods Pro between the end of the first quarter and the beginning of the second quarter, according to Taiwanese industry publication DigiTimes, suggesting that assembly of the earphones will begin around early to mid April.
'iPhone SE 2' Said to Have Entered Final Production Verification Stage Ahead of LaunchApple's lower-cost "iPhone SE 2" or "iPhone 9" model has reportedly entered the final phase of production verification at an assembly plant in Zhengzhou, China, suggesting that the rumored device may be announced soon, but there is some uncertainty around timing due to coronavirus-related production delays.
Apple Agrees to Pay Up to $500 Million to Settle Class Action Lawsuit Over 'Secretly Throttling' Older iPhonesApple has agreed to pay up to $500 million to settle a class action lawsuit in the United States that accused the company of "secretly throttling" older iPhone models — a controversy known as "batterygate."
Disney World Returns Fully Working iPhone 11 to Family Weeks After Device Sank to Bottom of Seven Seas LagoonIn early October, parents Lisa and Jacob Troyer took their daughter Sophie on a dream trip to Disney World. Unfortunately, on the final night of the trip, Lisa's brand new iPhone 11 fell out of her bag and landed right into the Seven Seas Lagoon near Magic Kingdom.
Each week, we publish an email newsletter like this highlighting the top Apple stories, making it a great way to get a bite-sized recap of the week hitting all of the major topics we've covered and tying together related stories for a big-picture view. So if you want to have top stories like the above recap delivered to your email inbox each week, subscribe to our newsletter! |
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